Produceret af Roger Waters
Udgivet 15. juni 1987
Optaget i The Billiard
Room fra oktober til december 1986
Smag og behag er som bekendt forskellig, men jeg synes at det her er et af de bedre Waters albums. Det er mest af alt fordi det er så let tilgængeligt. Hvis folk aldrig har hørt Waters før, er det her det perfekte album at starte med.
Historien
som følger musikken (eller omvendt) står skrevet i coveret. Jeg har prøvet at oversætte
den her nedenfor. Kort fortalt handler den om en dreng i
rullestol der kan høre radiobølger i sit hoved. Så får han vist hele verden
til at gå i sort, i den tro at det er 3.verdenskrig der er brudt ud - lidt a
la filmen Wargames fra 1983. Dén film handler netop om en computernørd, der får
hacket sig ind på militærets computere. Han gør det godt nok ved en fejl, idet han
tror at hacker sig ind på et computerspil. Jeg er rimeligt sikker på, at historien
bag denne plade er inspireret af denne film, men helt klart uden af være en kopi.
For øvrigt er titelmelodien fra soundtracket til den film "Crosby, Stills & Nash: War Games."
Har du lagt mærke til at i "baggrundshistorien" står der: Billy opfatter dette som en handling af politisk "underholdnings" fyrværkeri (Billy perceives this as an act of political "entertainment" fireworks) Hvis ikke dét får én til at tænke på "Amused to Death" !!!
Læs "baggrundshistorien" fra innercoveret :Her
Lad os starte med det lidt kuriøse. Pladecoveret er en lang morsekode. Der står :
"ROGER WATERS RADIO KAOS WHO NEEDS INFORMATION THE POWERS THAT BE HOME THE TIDE IS TURNING RADIO WAVES."
Det er ikke let at se på de albums der har påtrykt det lille logo med satellit
på. På mit gamle vinyl cover derimod, kunne dette logo tages af.
OK pladecoveret var
nemt nok. Så bliver det straks værre med det morseri man hører inde på pladen.
Især starten og slutningen af pladen er det ret tydeligt - for en der kan høre
sådan noget... det kan jeg ikke, men jeg kan da surfe på nettet. Dér har jeg
læst, at det der morses er:
"TURNING SYLVESTER"
"MACHO BULLSHIT AND MEDIOCRITY OH
TIDE"
Lidt af forklaringen på dette er at der oprindeligt var et ekstra vers på
"The Tide is Turning". Det vers opgav Waters dog, da han frygtede en
retssag, og retssagen mod sine gamle venner i Pink Floyd var jo ikke gået så godt.
Verset lød :
Now the past is over but you are not alone
Together we'll fight
Sylvester Stallone
We will not be dragged down in his South China Sea
of macho bullshit and mediocrity
Det blev brugt på flere af koncerterne og der er stadig et lille levn på pladen:
"The Tide is Turning Sylvester"
Waters bryder sig vist ikke videre om Stallone
og den slags film han laver. (Eller 'lavede' der i 80'erne) Hvad jeg forstår, så er
'South China Sea' en reference til Vietnam og dermed Vietnam krigen, som
Stallones film handlede om i den periode.
På "takkelisten" inde i coveret nævnes "all the ex-KMET staff". KMET var den
radiostation Jim Ladd arbejdede på - altså ham der lægger stemme til "Jim" på
pladen.
Angående hvad der står i coveret, så kan man jo læse navne på alle dem
der har været med til at lave pladen og som musikere står der "The Bleeding Heart
Band". Jeg ved ikke helt, om det bare er et almindeligt engelsk udtryk, men jeg
kommer uundgåeligt til at tænke
på Outside the Wall hvor teksten lyder..
The bleeding hearts and the artists make their stand.
En anden spændende oplysning fra coveret som jeg vil nævne, det er hvem der sang i baggrunden på "Home" og "Four Minutes"? Clare Torry ! som vi alle elsker fra The Great Gig in the Sky
På nummeret The Powers that Be har han Paul Carrack med på vokal.
Gennem pladen nævnes Wales en del, og der tales om et Walesisk herrekor der synger "Billy come home".
Så pladen slutter da også med et walesisk herrekor - The Pontarddulais Male Voice Choir - der synger.
Det er i sig selv ikke overraskende, men jeg nævner det her alligevel, da det er samme kor som man kan
høre i filmen The Wall. Blandt andet "When the Tigers Broke Free" og mere markant på "Bring the Boys Back Home
Sidste nummer hedder
i parantes (After Live Aid) og det Waters hentyder til er, at han mener at
verden kunne ændre sig ved disse store menneskemængder, der sammen viser viljen til
at gøre verden bedre. Han forsøgte senere selv det samme med The
Wall Live in Berlin og jeg antager, at der er af samme grund at netop den koncert
sluttede med "The Tide is Turning" i stedet for den velkendte og føromtalte
"Outside the Wall"
Nu er det her med Stallone, The Wall i Berlin og filmen Wargames alt sammen meget
længe siden. Jeg har lavet en lille tidslinje, for at vise hvordan tingene omkring
denne plade hænger sammen. Der skete selvfølgelig flere ting omkring den tid, men for
ikke at det skulle virke rodet, har jeg begrænset det lidt.
Det kan nævnes, at
Waters var ikke med i Live Aid - det var Gilmour og så var det omkring 1985 Waters
sådan officielt forlod Pink Floyd og udtalte, at Pink Floyd var en opbrugt ressource.
Noget helt andet og 100% kun for sjov og ikke ment kritisk:
Første nummer på pladen
hedder Radio Waves, hvilket nok ikke kan overraske nogen. HVIS det
så overrakede nogen, så gentager Waters "Radio Waves" 42 gange undervejs. Udover dét,
biver det sagt 3 gange i dialogen (baggrundsbilledet om du vil), men det er ingenting.
Nummeret Home... jeg har talt efter... jeg siger det
bare... der bliver sagt "could be" 60 gange i den sang...
Nyd pladen. Den er anderledes end alt andet Waters har lavet i Pink Floyd og solo.
Numre på denne plade
|
Radio waves. Radio waves.
He hears radio waves
Radio waves.
The atmosphere is thin and cold
The yellow sun is getting old
The ozone
overflows with radio waves
AM, FM, weather and news
Our leaders had a
frank exchange of views
Are you confused, radio waves.
Radio waves,
radio waves
AM radio waves, FM radio waves
Radio waves, mind-numbing
radio waves
Fish-stunning radio waves
Radio waves.
Magic Billy
in his wheel chair
Is picking up all this stuff in the air
Billy is face
to face with outer space
Messages from distant stars
The local police
calling all cars
radio waves
Hear them radio waves
radio waves
Jesus saves radio
Radio waves
Radio waves, AM radio waves, FM radio waves
All them radio waves
Radio waves
Radio waves
He hears radio waves
Radio waves
Radio waves
Hopeful radio waves
Dopeful radio waves
Russian radio waves
Prussian radio waves
Eastern radio
waves, Western radio waves
Testing radio waves, one two. One two.
Radio
waves
Getting through to you
Morse code radio waves, Tobacco road radio waves
South to Paloma radio waves
Oklahoma City radio waves
Sitting pretty
radio waves
nitty-gritty radio waves
Radio waves
Who Needs Information (Waters) [5:55]
Me and Benny went out last night
Looking for fun
Supping ale in the
moonlight
Waiting for the dawn to come
Benny pointed at a HiFi shop
He said hey man look at all the stuff they've got
How'd you make a have out
of a have not
Hmmmm.
Who needs information
When you're working
underground
Just give me confirmation
We could win a million pounds
Benny climbed up on a footbridge
And he teetered on the parapet
He
said can you see the whites of their headlights?
Are they coming yet?
Who needs information
This high off the ground
Just give me
confirmation
We could win a million pounds
Who needs information
When you're living in constant fear
Just give me confirmation
There's
some way out of here
(Some way) out of here
(Some way) out of here
(Some way out of here, out of here)
Some way (out of here)
Some way (out of here)
(Some way out of here)
Benny hefted a breeze block
And tried to let go
Got hung up on a tear drop
So me and Benny went
home
Who needs information
When you're living in constant fear
Just give me confirmation
There's some way out of here
(Some way) out of here
(Some way) out of here
(Some way out of here, out of here)
Some way (out of here)
Some way (out of here)
(Some way out of here)
Who needs information yeah
When you're living on borrowed time
Just give me confirmation
There will be a winner this time
Who
needs information
when you're working underground
Just give me confirmation
We could win a million pounds
Who needs, who needs, who needs information
This high off the ground
Just give me confirmation
We could win a
million pounds - yeah
You wake up in the morning, get something for the pot
Wonder why the sun
makes the rocks feel hot
Draw on the walls, eat, get laid
Back in the
good old days
Then some damn fool invents the wheel
Listen to the
whitewalls squeal
You spend all day looking for a parking spot
Nothing
for the heart, nothing for the pot
Benny turned the dial on his Short
Wave radio
Oh how he wanted to talk to the people,
he wanted his own
show
Tune in Moscow. Tune in New York
Listen to the Welsh kid talk
Communicating like in the good old days
Forgive me father for I have
sinned
It was either me or him
And a voice said 'Benny'
'You fucked the
whole thing up
Benny your time is up
Your time is up'
Benny turned
the dial on his Short Wave radio
He wanted to talk to the people
He
wanted his own show
Tune in Moscow. Tune in New York
Listen to the Welsh
kid talk
communicating Like in the good old days
The good old days
Forgive me Father
For I have sinned
Father it was either me or him.
Father can we turn back the clock?
I never meant to drop the concrete block.
Benny turned the dial on his Short Wave radio
How he wanted to talk to
the people
He wanted his own show
Tune in Moscow. Tune in New York
Listen to the Welsh kid talk
Just like in the good old days
The good
old days
The Powers That Be (Waters) [4:36]
(The powers that be)
(The powers that be)
(The powers that be)
(The powers that be)
(The powers that be)
(The powers that be)
(The powers that be)
(The powers that be)
(The powers that be)
They like a tough game
No rules
Some you win, some
you lose
Competition's good for you
They're dying to be free
They're
the powers that be
They like a bomb proof cadillac
Air conditioned, gold
taps,
Back seat gun rack, platinum hub caps
They pick horses for courses
They're the market forces
Jim: We think of it as mainstreet, but to the rest of the country it's Sunset Strip. You're listening to KAOS in Los Angeles
I like staying with my Uncle Dave
And I like playing with his great dane
But I don't fit
I feel alien and strange
Kinda outa range
I like
riding in my Uncle's car
Down to the beach where the pretty girls all
parade
And movie stars and paparazzi play the Charles Atlas kicking sand
in the face game
And I sit in the canyon with my back to the sea
There's a blood red dragon on a field of green
Calling me back
Back
to the Black Hills again
(Ooh, ooh, Billy come home)
Billy is searching
for his native land
Flicking through the stations with the dial in his head
Picking up ------- -------
And a male voice choir on the short wave band
Billy taps out Jim's number on the 'phone
Sits shaking as he waits
for Jim's answering tone
Come on my friend, speak to me please
The land
of my fathers is calling to me
And I sit in the canyon with my back to the
sea
There's a blood red dragon on a field of green
Calling me back, back
to the Black Hills again
Ooh, ooh, Billy come home
Come on home
He sits in the canyon with his back to the sea
Sees a blood red dragon on
a field of green
He hears a male voice choir singing Billy come home
(Billy, Billy, come home)
Come on home
Could be Jerusalem, or it could be Cairo
Could be Berlin, or it
could be Prague
Could be Moscow, could be New York
Could be Llanelli,
and it could be Warrington
Could be Warsaw, and it could be Moose Jaw
Could be Rome
Everybody got somewhere they call home
When they overrun
the defences
A minor invasion put down to expenses
Will you go down to
the airport lounge?
Will you accept your second class status
A nation of
waitresses and waiters
Will you mix their martinis
Will you stand still
for it
Or will you take to the hills?
It could be clay and it could be
sand
Could be desert
Could be a tract of arable land
Could be a house,
could be a corner shop
Could be a cabin by a bend in the river
Could be
something your old man handed down
Could be something you built on your
own
Everybody got something he calls home
When the cowboys and Arabs
draw down on each other at noon
In the cool dusty air of the city
boardroom
Will you stand by a passive spectator of the market dictators
Will you discreetly withdraw
With your ear pressed to the boardroom door
Will you hear when the lion within you roars
Will you take to the hills?
(Will you stand, will you stand for it)
(Will you hear, ohhhh! ohhh!
when the lion within you roars)
Could be your father and it could be your
mother
Could be your sister, could be your brother
Could be a foreigner,
could be a Turk
Could be a cyclist out looking for work. Norman
Could be a
king, could be the Aga khan
Could be a Vietnam vet with no arms and no legs
Could be a saint, could be a sinner
Could be a loser or it could be a
winner
Could be a banker, could be a baker
Could be a Laker, could be
Kareem Abdul Jabar
Could be a male voice choir
Could be a lover, could be
a fighter
Could be a super heavyweight, or it could be something
lighter
Could be a cripple, could be a freak
Could be a wop, gook,
geek
Could be a cop, could be a thief
Could be a family of ten living in
one room on relief
Could be our leaders in their concrete tombs
With their
tinned food and their silver spoons
Could be the pilot with God on his
side
Could be the kid in the middle of the bomb sight
Could be a fanatic,
could be a terrorist
Could be a dentist, could be a psychiatrist
Could be
humble, could be proud
Could be a face in the crowd
Could be the soldier
in the white cravat
Who turns the key in spite of the fact
That this is
the end of the cat and mouse
Who dwelt in the house
Where the laughter
rang and the tears were spilt
The house that Jack built
Where the laughter
rang and the tears were spilt
The house that Jack built
Bang, bang, shoot,
shoot
White gloved thumb
Lord thy will be done
He was always a good boy
his mother said
He'll do his duty when he's grown,
Yeah Everybody's got
someone they call home
Molly: Everybody got someone they call home
Molly: Everybody got
After a near miss on the plane
You swear you'll never fly again
After the first kiss when you make up
You swear you'll never break up again
And when you've just run a red light
Sit shaking under the street light
You swear to yourself
you'll never drink and drive again
(Sometimes I
feel like going home)
You swear you'll never let things go by again.
(Sometimes I miss the rain and snow)
And you'll never toe the party line again
(And when the east wind blows)
Sometimes I feel like going home
Molly: Goodbye little spy in the sky.
They say that
cameras don't lie.
Am I happy, am I sad
Am I good, am I bad?
The Tide is Turning (After Live Aid) (Waters) [5:43]
I used to think the world was flat
Rarely threw my hat into the crowd
I felt I had used up my quota of yearning
Used to look in on the children
at night
In the glow of their Donald Duck light
And frighten myself
with the thought of my little ones burning
But oh, oh, oh, the tide is
turning
The tide is turning
Satellite buzzing through the endless
night
Exclusive to moonshots and world title fights
Jesus Christ imagine
what it must be earning
Who is the strongest, who is the best
Who holds
the aces, the East or the West
This is the crap our children are learning
But oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
The
tide is turning
(Oh, oh, oh, the tide is turning)
Now the satellite's confused
'Cos on Saturday
night
The airwaves were full of compassion and light
And his silicon
heart warmed to the sight of a billion candles burning
Oo, oo, oo, the
tide is turning
Oh, oh, oh, the tide is turning
The tide is turning
Billy
I'm not saying that the battle is won
But on Saturday night
all those kids in the sun
Wrested technology's sword from the hand of the
War Lords
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
The tide is turning Sylvester
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning
Oh, oh, oh, the tide is turning